All renderings are designed in Photoshop using my own photographic images and artwork. I then transfer the images to acid free paper in sections with archival inks. This process creates a unique intrigue in texture and the chance of how each transfer pass will survive. Typically there are at least 12 different transfer passes. Once I am happy with all the passes and composition, I then add my own hand in watercolor to the piece. Only one original piece is created. These are not single digital composite prints from Photoshop.